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Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story.
Changing Colors. If you're keeping your Mustang the same color it is now then things stay pretty simple. Areas like the door jambs and inside of the trunk are probably still in good shape since they aren't exposed to the weather and you won't have to worry about repainting them. But if you're changing colors these extra areas will cost you. Be sure the price quote you get from the paint shop includes these extra areas. If you wait until the day you pull up with your Mustang prepped for paint you could be surprised by this extra cost.
Now, decide WHAT you want to paint. Very important...you do NOT need to know how to draw. That's the great thing about painting, you can create even if you've never had a lesson. Don't get me wrong, art school is great. But don't let the lack thereof deter you from creating. You do not have to have a teacher to tell you how to create. You do need to know a few basic techniques, but from there let your imagination fly! When deciding what to paint, go to some websites about artists or Google famous artists to get inspired. Again, do not let a lack of training deter you from painting! Many of the great artists of the past had no training either. Many can't draw stick figures, but they can paint because the colors give you amazing options of expression! You may also go to my websites mentioned below or Google me to see all the crazy work I've created. My personal preference has been to create a large variety of work to keep it interesting and versatile. I did not want to be that artist who only painted one thing over and over. To me that's boring, and it should be boring to you too. Any known artist of the past has a vast variety of work. You'll also find that it makes it more interesting to you while you're doing it, because you won't ever get bored, you'll always be wondering how it'll turn out.
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If red is the color of fire and yellow is the color of sun, then orange color, which originates from the blend of these two colors, combines both warmth and light in it. Light muted orange accent will give your interior cosiness and warmth, especially in the room with windows facing north. Bright orange color in the interior on the other hand is more of a claim for originality.
If you have a timber floor that's not particularly attractive or is made from a patchwork of old and new wood, paint makes the perfect disguise. There are plenty of choices - all the colours from Farrow & Ball are available as floor paint and Nordic Style offers an elegant selection, too.
These techniques will help the lesser quality Paint Brush, as well as the best, making your experience with the tool that's been around for centuries, a pleasant one. Before you open a gallon of paint, the Paint Brush should be at your side, next to the can. Taking the Paint Brush by the handle, thoroughly soaking it in clean tap water before you dip it in the latex paint (soaking in mineral spirits if using Alkyd or Oil paint) will enhance your brush cleaning later on. Getting the excess water or mineral spirits out of the brush is going to be the next question, as it would be mine, if I did not know it. When using Latex paints, hold the Paint Brush firmly by the end of the handle, tapping the head of the Paint Brush on the end of your shoe or boot, giving a few good forceful whacks. Paint Brush is dry enough to dip in paint, but wet enough for an even flow of paint, and easier cleanup later on. This can be repeated if Paint Brush shows signs of drying out before the painting job is completed. If using Alkyd paints, try just blot drying with clean rag, as whacking on the end of your boot will cause a bit of splatter.
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