The salt and alum should be dis-solved in 4 gallons of hot water, after which the molasses may be added to the mixture. The resulting clear solution is then added to the lime paste, stirred vigorously, and thinned with water to the desired consistency. This whitewash has a yellow tinge when first applied, but the color disappears in a few days leaving a white film. The second part of preparation is surface prep, it addresses covering the surfaces you do not want to get any paint on. A little plastic sheeting will go along way to keeping paint off of floors, window coverings, handrails, cabinets, counter tops, etc... And, if you are not confident with your ability to paint a straight line next to door casing, baseboards, cabinets or hardware protect these surfaces using masking tape. There are two basic types of masking tape white/yellow and blue. The white tape sticks to surfaces better but, can pull off finishes on cabinets or stained woodwork. Blue tape usually will not pull off finishes but, does not stick as well, this will probably be the tape to use for most applications. Always wipe down or dust the surface you will be masking to assure the best tape adhesion possible. If you use blue tape you may need to re-rub down the tape before painting next to it, only mask off areas with blue tape that you will be painting for a given day. With either tapes, do not assume the are a force field that paint will not penetrate, use them as a reference and dry brush the paint next to the edge of the tape and avoid soaking the edge of the tape with a lot of paint, this will cause the paint to "bleed" through giving you an undesired look. If you will need to apply multiple coats of paint, on the first coat, paint as close to the tape as you can, not really getting paint on the tape. With the second coat or a one coat application, you can use the tape more of like a paint barrier and get a little more paint on the tape if you immediately remove each section of tape after painting the section, this will keep the paint from sitting on the tape and "bleeding" behind it. Also, if you get a lot of paint on the tape it is not good to let the paint dry on the tape because some paints (especially the glossier paints) will peel if allowed to dried, with the tape when it is pulled off. White tape should not be left on for longer than a couple of days and I suggest not leaving it on more than a day in areas that receive long periods of direct sunlight. Blue tape can be left on for days, if it will stay on, there again it does not stick as well and may need rubbed down again immediately before painting up next to it. Remember this simple rule when thinking about Warm or Cool: Warm individuals have red or gold highlights in their hair. Cool individuals have no red or gold highlights in their hair. That is true for girls and women of all ages. Whether you color your hair, use the color you have now as the basis to determine whether you are Warm or Cool. Congratulations! You are half way towards determining your Season.
White color symbolizes the purity, immaculateness, innocence, virtue, and joy. It always inspires, helps, fills you with faith. White means absolute freedom from obstacles and freedom for all possibilities. Tools, there is a wide variety of brushes and rollers to choose from, it is critical to select quality tools and maintain them. We will discuss brushes first, I use and recommend only Purdy brand brushes, they will give you the best results in terms of coverage and make the project go much easier and quicker. A Purdy brush is a little more expensive but if kept clean promptly after each use and stored properly, it will last for years and many projects. Most any other brushes out there, especially the cheap ones, are made of far inferior hair and I liken them to using a hand (or whisk) broom to paint with. Using lower quality tools will only frustrate you and lead you to assume that you are incapable of painting. You are capable! and the proper tools, materials, and advise are all you need. If your painting project will be on going for a couple of days, you can wet the brush with paint, wrap the brush up in a plastic sandwich bag and tape the plastic bag to the handle above the metal ferrule. Sealing it up will keep it from drying out, storing it flat will maintain the shape and permit you to use it for a couple of days without cleaning it. Because, after a couple of days or if it has had extended use on a hot day, it will loose its shape and start to collect a lot of dried paint on the hair, you should clean it with warm water and a wire brush. Once you have ran some water through the brush hair, the wire brush will then be used to remove the dried paint from the hair. Always run the wire brush down the entire length of the hair and never across it, to prevent crimping and damaging the hair. After you get the brush clean, spin it between your two hands, shedding as much water as possible from it. Then, using the wire brush again, comb the hair, shape/style the hair with your hands and lay it flat to dry. Once dry, if you will not be using the paint brush again soon, protect it by storing it in the paper shuck/cover that it came in and it will be like new the next time you use it. Use Plain White Primer for Light Paint Colors. In our first case, if you decide to paint a wall in your house with a light yellow color, but the wall is currently a deep dark brown, you will go through bucket after bucket of paint trying to cover that brown, easily doing 4 - 6 coats or more. But if you put down a coat of white primer first, you could be done after 2 coats of paint. THE BACKROUND. Collect information on the artist and the historical background. To analyze "Guernica" by Picasso, you need to know that Guernica is a town demolished by the Nazi, and you have to read up on the essential features of cubism. To interpret the image of kissing people covered by a piece of cloth in Magritt's "The Lovers", whatever you guess by looking at the painting falls flat once you know that the artist's mother got drowned in the river, and when found, a piece of cloth was wrapped around her head. So, don't rely on your skills and taste too much, there are things you need to KNOW before you start making assumptions. The historical background of the paintings itself is important. Was the artist an innovator, did he start a new trend or movement, whose steps did he/she follow? What experiments was he involved with? How was the painting perceived by the contemporaries? Claude Monet started impressionism with the painting "Sunrise. Impressions". Malevych started suprematism as a development on abstractionism, laying out the new artistic theory of the color, the form and the composition of the painting. The rough lines and raw colors in the fauvist paintings may be traced back to Van Gogh. Do you think there is something new suggested in the painting you are looking at, or is there anything at all distinguishing about it?