The members of Blue Man Group met in 1986 while participating in an underground production of French symbolist writer Alfred Jarry’s Ubu Roi, an absurdist work which inspired many themes which the trio have continued to revisit in their work. The main character of Ubu Roi’s exaggerated childishness is arguably the inspiration behind some of the group’s most enduring themes, such as their displays of naivete in the face of a complex web of modern social norms. Most memorably, we may think of their iconic “street meat” bit, in which they are unleashed onto the streets of New York, hungry for the city’s world-renowned halal cart kebabs. However, their mimes to strange men for “street meat” are misconstrued, and the boys are met with quite a different kind of delight.
Paint & Paper Library arranges its colours in five shades from light to dark to help select coordinating colours for ceilings, cornices, walls, doors and woodwork. If you are decorating around bold furnishings, such as a sofa or curtains, look at paint colours from the same fabric house as they are most likely to be sympathetic. You scuff up existing paint for two reasons. First, you want to get rid of any oil, grease or dirt trapped in the top layer of paint. This is the stuff that cleaners and degreasers can't get off. The second reason to scuff is to set up a physical bond for the new primer and paint to adhere to. You want to give the old paint some tooth so the new sticks better. Step three: go online and study the basics of shadow and light. It's a visual thing, and too complicated to talk about here. But once you see it, it'll come to you quickly. Simply Google "shadow and light in painting" and the basics will come up. Once you know these rules, you can apply it to any shape, any form, any painting. And it'll make you keenly aware of shadow and light on virtually any object on earth. It's what makes a painting three- dimensional and expensive looking. You can also buy art books on shadow and light at any bookstore. But make sure you sit down for a couple of hours and study it. It will come quickly to you, I promise.
Better still, you don't have to spend hours getting ready and hours cleaning up afterward. Premixed paints, electric-drill attachments and self-dispensing calking guns make short work of preparation. Cleaning up is a soap-and-water job for the rubber paints, or a quick dip in special cleaners for the oils. Disposable dropcloths and paper paint pails are used once and thrown away. Color - The paint makers are out to sell the lady of the house and color is their come-on. They are tempting her with a kaleidoscope's variety; one firm offers more than 6,000 different shades. Home decor can range from paintings or wall hangings to room dividers, sculptures to vases, rugs, baskets to bowls, and pillow to throws. They are a wonderful way to surround yourself with the things that you enjoy. Accessories also act to bridge two seemingly disjointed colors and unify the room. THE STYLE / MOVEMENT. The fastest way to interpret a painting is to determine what movement it belongs to, or at least what movements and styles influenced the artist. The style influences the choice and treatment of the subject, the color, the perspective and the symbols. Impressionists, for instance, experimented with unusual perspectives - bird's eye or frog's eye; their brushwork is visible and the colors are laid separately to mix in the eye of the viewer rather than on the palette. In impressionism the light is more important than the people it bounces off - quite different from romanticism. In romanticism you have to be a poet, a revolutionary, a gypsy or a vagabond to make your way into the painting - they appreciated the bold spirit, the freedom and the people who were different.