In the English tradition, days of thanksgiving and special thanksgiving religious services became important during the English Reformation in the reign of Henry VIII and in reaction to the large number of religious holidays on the Catholic calendar. Before 1536 there were 95 Church holidays, plus 52 Sundays, when people were required to attend church and forego work and sometimes pay for expensive celebrations. The 1536 reforms reduced the number of Church holidays to 27, but some Puritans wished to completely eliminate all Church holidays, including Christmas and Easter. The holidays were to be replaced by specially called Days of Fasting or Days of Thanksgiving, in response to events that the Puritans viewed as acts of special providence. Unexpected disasters or threats of judgement from on high called for Days of Fasting. Special blessings, viewed as coming from God, called for Days of Thanksgiving. For example, Days of Fasting were called on account of drought in 1611, floods in 1613, and plagues in 1604 and 1622. Days of Thanksgiving were called following the victory over the Spanish Armada in 1588 and following the deliverance of Queen Anne in 1705. An unusual annual Day of Thanksgiving began in 1606 following the failure of the Gunpowder Plot in 1605 and developed into Guy Fawkes Day on November 5.
If you have a vinyl top then remove the molding separating the vinyl and paint. Drip rail chrome really should be removed also, but can be extremely hard to take off undamaged. If you plan on buying all new drip molding then definitely remove the old for painting. But if you want to keep the originals then it might be better to leave them on and let the painter mask around. If you have hub caps it's easy to just take them off. While the paint shop should completely mask all four tires, overspray can still find its way in. It's sometimes better to play it safe and just remove wheel covers. Paint & Paper Library arranges its colours in five shades from light to dark to help select coordinating colours for ceilings, cornices, walls, doors and woodwork. If you are decorating around bold furnishings, such as a sofa or curtains, look at paint colours from the same fabric house as they are most likely to be sympathetic. THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic.
The first step is to cover the surface with a coat of paint, using your regular paint brush, or spray, or roller. Then, while the surface is still wet, take the dry stipple brush and energetically with short strokes drive the ends or the bristles into the wet paint. Be sure not to brush across. The result will be clusters of dots. Every few minutes wipe the brush with a cloth, to keep the bristle ends clean and dry. Mixing. Paste paints, such as aluminum, resin-emulsion, and lead-in-oil, should be stirred with a stiff paddle and reduced to painting consistency with the liquids recommended on the manufacturer's labels. THE BACKROUND. Collect information on the artist and the historical background. To analyze "Guernica" by Picasso, you need to know that Guernica is a town demolished by the Nazi, and you have to read up on the essential features of cubism. To interpret the image of kissing people covered by a piece of cloth in Magritt's "The Lovers", whatever you guess by looking at the painting falls flat once you know that the artist's mother got drowned in the river, and when found, a piece of cloth was wrapped around her head. So, don't rely on your skills and taste too much, there are things you need to KNOW before you start making assumptions. The historical background of the paintings itself is important. Was the artist an innovator, did he start a new trend or movement, whose steps did he/she follow? What experiments was he involved with? How was the painting perceived by the contemporaries? Claude Monet started impressionism with the painting "Sunrise. Impressions". Malevych started suprematism as a development on abstractionism, laying out the new artistic theory of the color, the form and the composition of the painting. The rough lines and raw colors in the fauvist paintings may be traced back to Van Gogh. Do you think there is something new suggested in the painting you are looking at, or is there anything at all distinguishing about it? A flat, semi-gloss, or high-gloss finish may be applied to the primed surface. For a flat finish, two coats of flat wall paint should follow the priming coat. For a semi-gloss finish, one coat of flat wall paint and one coat of semi-gloss paint should be applied to the primed surface. For a high-gloss finish, one coat of semi-gloss paint and one coat of high-gloss enamel should be used over the priming coat.