THE COMPOSITION. Now go back to the subject and your first impressions about the painting. It's time to analyze how the artist made you feel the way you felt using the artistic means it his/her disposal. The composition is the position and the balance of the objects and figures in the space, the interrelation of their size, coloring, shading etc. How exactly does all that impact your perception? Let's dig in.
When choosing colours for exterior surfaces, consider the style of the brickwork or masonry of your home along with the colours used on nearby buildings, so as to pick colours that are sympathetic to these surroundings. Colours for fences and sheds should be selected with the same criteria in mind.
HUE-VALUE-INTENSITY. Hue: Without getting too technical, and to put things into laymen's terms, hue is just another word for color. For instance, grass and leaves are two variations of a green hue.
Can you feel the rhythm in repeating some color or combination?
Satin or silk - Water-based vinyl or acrylic paint for walls in high-wear areas, such as hallways and kitchens. A satin finish will be slightly shinier than silk.
Special paints have been innovated from different consumer insights and brilliant paint technology that allows specific paints for specific needs.
Use the painting project as an excuse to give your home a thorough spring cleaning and get rid of any clutter.
The series started production in 1984 by Allcroft’s production company, The Britt Allcroft Company; Clearwater Features Ltd. (Mitton and Cardona’s company); and the ITV company Central Independent Television. The series was originally shot and produced with live action models at the Clearwater in house studio in Battersea, a suburb of London, for Series 1. It later relocated to Shepperton Studios, Middlesex, southwest of London for subsequent series. The use of moving models was seen at the time of the series’ conception as an effective method of animating the stories. Locomotives and other vehicles were operated by radio controls, while humans and animals were static figures. Stop-motion was occasionally employed for instances in which a human or animal character would move. Hand-drawn animation was used in Series 3 to create bees (as seen in the episode “Buzz Buzz”).