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One precaution: You can't paint with it in cold weather. The chemical reaction that transforms the water solution into a durable finish will not take place if the temperature is below 50°. (Conventional oil paints don't stick well in cold weather, either.)
How Much Paint You Really Need. How much paint you will need to satisfactorily complete a paint project is determined by 2 factors. The first, paint coverage, is a familiar concept to most people. It simply concerns the square footage of surface area to be painted, and "paint coverage calculators" abound on the web. However, the second concept, paint color coverage, has a much more pronounced effect on how much paint will be needed and the cost of paint projects. Unfortunately, paint color coverage is a novel concept to many painters and, in fact, is poorly understood even by many professionals. Knowing the secrets of paint color coverage will allow you to reduce the number coats you have to apply and minimize how much paint you have to buy.
Akbar (1556-1605) was the one who started encouraging of Mughal artist. After he had consolidated his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and Persia. More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and Kashmir. They worked under the two Persian master-artists Abdus Samad and Mir Sayyid Ali, but they were encouraged and inspired by Akbar.
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Paint Selection. Most paints are purchased ready-mixed but, in their selection, consideration should be given to the fact that surfaces vary in their adaptability to paint and atmospheric or other conditions having an adverse effect on paint performance. In addition to the normal weathering action of sun and rain, outside house paints are sometimes exposed to other attacking elements, such as corrosive fumes from factories or excessive amounts of wind-driven dust.
But before doing this, you have to know the condition of the surface you wanted to paint. Regardless of whether the base coat is oil or latex, you must dull glossy paint by sanding or de-glossing it with a chemical de-glossing product. If you don't dull glossy paint, the second coat will streak and not stick to the base coat when drying.
OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.
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